A Raisin in the Sun |
|
|---|---|
| Authors: | Hansberry, Lorraine |
| Genres: | Drama |
| Topics: | Social Issues, Made into Movies, African American History/Interest |
| Publisher: | Knopf Doubleday Publishing Group |
| BISAC/Subject: | DRA001000, DRA019000, DRA001010 |
| ISBN: | 9780307807441, Related ISBNs: 0307807444, 0375508333, 0679755330, 9780307807441, 9780375508332 |
| Classification: | Fiction |
| Number of pages: | 160, |
| Audience: | General/trade |
Synopsis: "Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.
Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."
"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.
Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."
"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.
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